Full-Bodied Painting & Glazing Medium

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*In 2007, we improved the formula and increased the working time of this glaze.  At 30% humidity and 70 degrees Fahrenheit, we were able to have 1 hour and 30 minutes of set time.  See [[Understanding Drying Time of Slow Drying Materials]].
*In 2007, we improved the formula and increased the working time of this glaze.  At 30% humidity and 70 degrees Fahrenheit, we were able to have 1 hour and 30 minutes of set time.  See [[Understanding Drying Time of Slow Drying Materials]].
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[[File:FullBodiedGlazeOpalescentGlassGlazeTechnique.jpg|200px|left|thumb|This technique was created using [http://www.proceedsystem.com/wiki/index.php/Category:Full-Bodied_Painting_&_Glazing_Medium Full-Bodied Painting & Glazing Medium]. The instructions used to create this technique are found [http://proceedsystem.com/wiki/index.php/Rain_Beads:_Extra_Rough_Glass_Bead_Texture here].]]

Revision as of 15:25, 15 August 2013



Full Bodied Painting & Glazing Medium is an un-tinted medium that has a great deal of working time.


  • Use this glaze when you want to retain toolmarks.
  • Thicker consistency holds onto marks.
  • Shake before use as this glaze will separate in the jug, this is a normal characteristic that also allows for toolmark retention.
  • VOCs Content: <700 g/l

This product exceeds VOC limits in some areas. Please verify compliance prior to use.


  • Click here for an article about a technique that Tim Glastetter uses with Full-Bodied Painting & Glazing Medium.


This technique was created using Full-Bodied Painting & Glazing Medium. The instructions used to create this technique are found here.








  • Please click this link to view an instructional video on using Low Viscosity and Full-Bodied Painting & Glazing Medium.


Techniques Utilizing Full-Bodied Painting & Glazing Mediums

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